My Creative Process
My creative process is an inner journey. It explores the passage from the invisible to the visible, from breath to gesture, from subtle energy to matter. Each painting is born as a fragment of life transformed into a vibrant resonance of color.
Inspiration and Sources.
My inspirations come from the living world and its constant metamorphoses. The movements of water, the depths of minerals, the glow of volcanoes, forests, and shifting skies all nourish my imagination. In them, I recognize the reflection of human cycles: expansion and retreat, intensity and stillness, birth and transformation.
Symbols and archetypes also guide me. They act as universal keys, translating inner realities that cannot be expressed in words into forms and colors.
Ritual of Creation.
Before painting, I always take a moment of silence. It is a time of grounding and openness, where I attune myself to the images, colors, and sensations that begin to emerge. This inner space is like a source: it offers me a vibration, a subtle direction that will guide the work to come.
Dialogue with Matter.
My work then unfolds as a patient dialogue with matter. I use mineral pigments, stone powders, gold and silver leaf, which I apply in successive washes. Each layer breathes: it is laid down, left to dry, and then calls for a new intervention.
This slowness is essential. It allows the work to gradually gain density, like a body slowly taking form over time.
Transformation
and Revelation.
Each painting is a crossing. It reflects my own inner passages: shadow and light, chaos and harmony, destruction and rebirth.
Painting becomes a space of revelation, where raw energy transforms into embodied form. It is not a decorative gesture, but a metamorphosis: the invisible finds a face.
Symbolic and
Archetypal Dimension.
As the process unfolds, my works naturally gravitate toward symbols and archetypes. They provide a universal language to express what would otherwise remain unspoken.
The circle, the wave, the flame, the stone, the opening… these recurring shapes are not motifs, but thresholds. They connect the viewer to a wider dimension, beyond the rational mind.
The Viewer’s Experience.
I see my paintings as spaces of resonance. They do not tell a fixed story; they invite the viewer to enter their own experience.
Each work is a vibration, calling for a sensitive encounter, contemplation, stillness, wonder, or sometimes even the resurfacing of forgotten memories. In this way, the viewer becomes part of the creative process.
final words.
For me, creation is the act of welcoming the invisible and giving it form. It is a way of walking with the living world, in all its complexity and beauty.
Each painting is an offering: a passage, an invitation to slow down, to feel, and to reconnect with what both transcends us and unites us.